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Ms Aman Deep Sidhu Chatha released her seventh book, ‘Ahbaab’ on Monday, June 24th, 2024 at India International Centre, New Delhi. Aman Deep is a 1992 batch Indian Audit and Accounts Service (IA&AS) Officer, currently posted as Principal Accountant General, Delhi. The book release was followed by a panel discussion. The panelists included Mr. Sanjeev Chopra and Mr. Navtej Johar. The conversation was moderated by Ms Monika Dhami. On the occasion, Author Aman Deep emoted, “I don’t write, writing comes to me. It is basically, aamad.” She further explained that Ahbaab is the plural form of Habeeb and refers to friends, lovers and loved ones. In essence, Ahbaab defines our entire being. Renowned author, historian and curator of literary festival Value of Words (VOW) at Dehradun, Sanjeev Chopra said, “It is uncommon to have someone dealing with government accounts and finances indulge in poetry with such passion and her works are reminiscent of a rare spirituality that connects you to the soul on reading the couplets.” An IAS officer, he served as Director, Lal Bahadur Shastri National Academy of Administration (LBSNAA) in his last posting. Bharatnatyam Expert, Yoga Acharya, Professor of Performing Arts and an activist, Navtej Johar exclaimed, “As an artist he can identify with the creative urge that Aman had from her early childhood and with the encouragement of her father, it blossomed into the beautiful soul stirring poetry that we have seen today.” Ms. Monika Dhami has a passion for Indian crafts, heritage and is an avid book reader. At the event she shared her views as, “It is an honour to be part of such a prestigious event amongst luminaries present here. It is a one of a kind evening that we all should feel extremely delighted to be part of.” About the Book The book is a compilation of couplets in Hindi, Urdu and carries an English translation as well. It is thus in a triglot form, similar to her earlier work, Ifsha. The author this time has weaved a story through headings that convey much more, as such the couplets on a page as also those on the facing page may be read in tandem. About the Author Aman Deep developed interest in Urdu and shaayari ever since she was a child. By the time she turned 13, her command over Urdu and poetry became pervasive. She eventually honed her skills further when she was posted in Chandigarh. With the help of her Urdu teacher, Dr. HK Lall, Aman successfully took leaps in the language. Dr Lall, has been her guide, philosopher and confidante when it comes to this language and its forms. Ahbaab has been dedicated to Dr Lall. A vivacious, grounded, free spirited individual, Aman Deep allows her soul to roam free through her pen. According to her, writing keeps her in sync with her thoughts and feelings.  A language that naturally imbibes her personality, Aman believes that poetry has been a part of her, it has shaped her through and through and helped her meander through the escapades of life. Running across parallel themes, the central idea highlighting her work is also “bandagi” or devotion and love to the One. Aman Deep has so far published six books, Ahbaab being her seventh. The earlier books are Ehsaas-aur-Bandigi, Inayat, Zarf-e-Nazar, Zaafraan, Rehnuma and Ifsha. The book launch was a success, being graced by distinguished panelists, a large responsive audience, who regaled and immersed themselves in an evening filled with love, laughter and poetry. In essence, the true meaning of Ahbaab took flavour....


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Following the resounding success of "The Divine Elements Volume One," acclaimed artist Divyaman Singh returns with the anticipated sequel, his solo show "The Divine Elements Volume Two," opening on Monday, July 1st, 2024 (from 4pm to 8pm) and from July 2nd to 8th, 2024 (11am to 7pm) at Visual Art Gallery, India Habitat Center, New Delhi. Curated by Shahzada Khurram, this exhibition takes the audience on an evocative journey, exploring the intricate coexistence of humanity with the celestial elements of the universe. Building on the foundation set by Volume One, which served as a visual symphony where the cosmos and earthly elements converged, Volume Two delves deeper into the profound connections between human existence and the vast cosmos and also takes its inspiration from Samāveśa – a profound exploration of contact and coexistence with the divine elements. This exhibition invites viewers to contemplate their place in the universe, merging astronomy with spirituality to reveal the symbiotic relationship between humanity and the stars. The Divine Elements Volume Two will be an immersive experience, blending art and astronomy to showcase how humanity coexists and interacts with celestial bodies. Each piece in the collection is a testament to the beauty and mystery of the universe, encouraging a sense of wonder and introspection. The show has already garnered attention from eminent personalities in the art and culture industry, promising to be a landmark event in the contemporary art scene. Visitors can expect to see a diverse range of artworks that blend scientific wonder with spiritual depth, making for a thought-provoking and visually stunning display....


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The Kelley School of Business at Indiana University is excited to announce the launch of its inaugural MSIS Global Case Competition in August 2024. This high-stakes competition aims to identify and attract top-tier talent for the Master of Science in Information Systems (MSIS) program, while elevating the program’s global visibility. The competition will challenge undergraduate students from top universities across India to showcase their problem-solving, leadership and innovation skills. By engaging with a diverse pool of participants, the Kelley School aims to build a strong pipeline of qualified candidates for its MSIS program. The competition will consist of two rounds. Round one will involve a case analysis and video presentation, with finalists advancing to the second round. The final round will be held in New Delhi itself on September 22nd, 2024, where participants will present their solutions to a panel of industry experts. To incentivize participation and recognize outstanding performance, the competition offers substantial prizes. Winning teams will receive cash prizes, and individual participants can earn scholarships towards the MSIS program. - First Place: $1,500 team prize and $5,000 scholarship per person - Second Place: $1,000 team prize and $4,000 scholarship per person - Third Place: $500 team prize and $3,000 scholarship per person - All Finalists: $1,000 scholarship per person By offering substantial scholarships and an immersive experience in Delhi, the Kelley School aims to create a compelling opportunity for students to showcase their talent and explore the MSIS program. “We believe that this competition will not only attract exceptional students but also position the Kelley School of Business as a global leader in information systems education,” said Professor Bipin Prabhakar, Faculty Chairperson, Information Systems Graduate Programs, Kelley School of Business. “We are excited to offer this platform for students to demonstrate their potential and to connect with our esteemed faculty.” Prospective students can visit this link to send their applications, without the need to pay any application fee. Admission seekers can also check their eligibility for MSIS Global Case Competition : https://host.kelley.iu.edu/gcc/ About the Kelley School of Business The Kelley School of Business at Indiana University is renowned for its academic excellence, innovative programs, and global impact. The MSIS program offers a rigorous curriculum that prepares students for leadership roles in the digital age....


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Book "Birthing the Goddess: The Feminine and the Idea of Birth", edited by Seema Kohli and contributed by Anamika Roy, Janet Chawla, Nilima Chitgopekar, Seema Kohli, Stella Dupuis. ‘Birthing the Goddess’ showcases the extraordinary births of deities who transcended the boundaries of the womb and semi-religious figures brought forth by traditions across culture. It delves into the artistic representations that bring these birth narratives to life, offering a delightful exploration brimming with insightful scholarship and innovative ideas about the multifaceted nature of birth. Concept “Birthing the Goddess—The Feminine and the Idea of Birth” for which Seema Kohli wrote an essay. And editorial, for the first time, ever. It is an exploration of the Birthing myths and tradition. Five close friends come together again for their second journey. Anamika Roy’s fascinating essay in this book traces the birth of Radha, a female deity emerging in the early medieval Indian religious and literary scenario. Nilima Chitgopekar’s essay is a visually charged, vivid and evocative tracing of the birth and feats of Durga, popularly known as Mahishasurmardini for her battle against the demon Mahishasur. Durga’s is a phenomenal birth, again not from the womb. Stella Dupui’s takes us through a magnificent ride around the world, from the stories of Amazonian woman warrior fighters to the Sati memorial stones of India, legends and sculptural images of Matsyendranath in Ladakh. Janet’s essay in this book is only a fragment of her 25 year-long fascinating research on the traditional birthing practices across India. Seema Kohli navigated around the continuity of birth and death through the ideas of ‘Hiranyagarbha’ and Martanda. It brings together phenomenal births of gods and goddesses that did not occur from the womb, and that of semi-religious figures, who were ‘created’ by tradition. “Birthing the Goddess” is a delightful dive into the artistic representation of the many spiritual tales on birth. It is a collection of essays brimming with brilliant scholarship and creative ideas on the many facets of birth.  ...


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Renowned Bharatanatyam dancer Sharanya Chandran enthralled audiences with her solo performance, Hymns to Hara, on Saturday, September 14th, 2024 at the Stein Auditorium, India Habitat Centre, New Delhi. Through this captivating presentation, Sharanya delved into the multifaceted nature of Lord Shiva, exploring the diverse emotions he evokes: love, awe, devotion, valor and even disgust. Hymns to Hara featured a carefully curated selection of Bharatanatyam repertoire, woven together to celebrate the divine. Sharanya has drawn inspiration from a rich tapestry of Indian literature, incorporating poems and verses from languages such as Tamil, Mythili and more. This diverse selection reflects the multifaceted nature of Lord Shiva and the cultural richness of India. Speaking about the performance, Sharanya Chandran said, “This is a particularly special performance for me. It marks my return to the stage after a hiatus and I was excited to reconnect with my audience. Additionally, it is a tribute to my grandparents, both ardent Shiva bhaktas, as we celebrate their birth centennials. And to add to the significance, September 14th also marks my ten-year anniversary at J-PAL South Asia. I am proud to have successfully balanced my passions for development and dance.” Sharanya was accompanied by her mother and guru, Padmashri Geeta Chandran, on the Nattuvangam, K Venkateshwaran on Vocals, Manohar Balatchandirane on the Mridangam, Varun Rajasekharan on Ghatam and G Raghavendra Prasath on Violin....


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Designer Anuj Prasad is set to unveil his captivating solo exhibition, "Mystic Miniatures," at the Visual Art Gallery, Indian Habitat Centre (IHC), from September 19th to 25th, 2024. This exhibition promises to transport viewers into a realm of intricate artistry and profound contemplation. Prasad, a distinguished designer and co-founder of Desmania, a leading design company in India, has dedicated himself to the exploration of art alongside his professional pursuits. His passion for painting has led him to experiment with various styles and mediums over the years, culminating in his unique style of Mystic Miniatures. The exhibition showcases Prasad's latest collection, a fresh and innovative approach to art that he has developed over the past seven years. Each artwork is a meticulously crafted miniature, teeming with intricate lines, shapes, and vibrant colors. The designer's keen eye for detail and his profound appreciation for nature's finer aspects are evident in every stroke. The exhibition invites viewers to embark on a journey of discovery, exploring the hidden meanings and symbolism woven into each piece. Through the tactile nature of Prasad's work, viewers can experience the depth and intricacy of his artistry. Looking forward to welcoming connoisseurs of meaningful art, Anuj Prasad says, "Mystic Miniatures is my attempt to provide an opportunity for viewers to immerse themselves in the spiritual and meditative verse. My artworks aim to help them seek what lies within them rather than searching for it outside. The use of colors, textures, and fluidity is meant to evoke a sense of tranquility and introspection." About Anuj Prasad: Anuj Prasad is a renowned Indian designer whose work has garnered international acclaim. His exploration of Mystic Miniatures has established him as a pioneer in this unique artistic style. With a career spanning decades, Prasad's artistic vision continues to inspire and captivate audiences worldwide....


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Delhi witnessed an evening that enthralled music lovers and history buffs alike on Monday, the 15th of July, 2024, at the Kamani Auditorium. Media net Works organised this captivating evening celebrating the 100th birth anniversary of the legendary Talat Mahmood in esteemed collaboration with Jashn-E-Talat by Sahar Zaman. The unforgettable event transported audiences through a journey of soulful music, insightful literature, and graceful dance, all woven together in homage to the golden era of Indian music, as it promised to. The evening was illuminated by the presence of the esteemed Chief Guest Shri Najeeb Jung, former Lt Governor, Delhi. His gracious presence undoubtedly elevated the stature of this momentous occasion. The evening left the audience awestruck by a meticulously curated programme and opened with a heart-warming inauguration ceremony followed by a soulful rendition of Talat Mahmood’s timeless classics by the mellifluous vocalist, Amrish Mishra. This soulful serenade was followed by a captivating interlude. Acclaimed author and grand-niece of Talat Mahmood, Sahar Zaman took the stage for an intriguing book talk, offering insightful glimpses into the life and legacy of Talat Mahmood. The evening culminated in a mesmerizing dance performance by the Moving Souls, their graceful choreography capturing the very essence of the era. Bringing forth a prestigious event of this stature, Sudesh Chawla, expressed her fervent enthusiasm as, “We are incredibly honored to present this unique tribute to the maestro Talat Mahmood. His voice continues to resonate through the ages, and we are extremely grateful to God for helping us make this event a fitting commemoration of his extraordinary contribution to Indian music.” Honorable Chief Guest, Shri Najeeb Jung shared his emotions as, “I was electrified at the Media net Works Musical Evening organised by Mrs. Sudesh Chawla in association with Jashn-e-Talat. Songs and ghazals of the 'King of Ghazals' - Talat Mahmood ji, sung by Amrish Mishra enchanted the audience to give him a well deserved Standing ovation. The program brought Talat to life." While discussing her book 'Talat Mahmood: The Definitive Biography', with Jainendra Singh, the owner of a gifted voice and the presenter of the show, Sahar Zaman said, “My grandfather’s music has been the soundtrack to my life. It is a privilege to present little anecdotes from the life of a man behind the golden voice.” Ghazal Singer Amrish Mishra emoted, “Talat Mahmood Ji’s voice has captivated audiences for generations. My earliest memories of Talat sahab songs are of my father listening to and humming Talat Songs such as 'Zindagi dene waale sun', 'Tasveer banaata hoon. It’s an honor to pay tribute to his legacy by singing these beloved songs for a whole new generation of listeners.” Lead Dancer Ravi Rastogi of Moving Souls shared, “Honored to be part of an evening dedicated to one of my favourites and a maestro of all times. Hoping to do justice to his legacy.” This extraordinary confluence of music, literature, and dance was an unforgettable experience for all who attended it. Open to one and all, the evening allowed everyone the opportunity to immerse themselves in the timeless melodies of Talat Mahmood and celebrate the enduring magic of his musical legacy....


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 The Partition Museum, Delhi, inaugurated its ground-breaking gallery, The Lost Homeland of Sindh on October 5th, 2024, in the presence of Lady Kishwar Desai, Founder, Partition Museum and Chair of The Arts and Cultural Heritage Trust (TAACHT), Shri Jitu Virwani, Chairman & Managing Director, Embassy Group, Aruna Madnani, Founder - Managing Trustee, Sindhi Culture Foundation and Gallery Curator and Pratibha Advani, Media Personality. Guest of Honour Meenakshi Lekhi, Former Minister of State, also joined the festivities. The Sindhi Culture Foundation, the Embassy Group and the Partition Museum invite you to step back in time and into the homes and lives of our ancestors. The Lost Homeland of Sindh pays homage to the resilient but, above all, enterprising forefathers and mothers who lost everything in the 1947 Partition and rebuilt their lives in new lands across the world, relying on their wits, skills, and business acumen. Weaving architecture, crafts, memorabilia, and oral history with archival material and contemporary art, the gallery provides a living discourse of a displaced culture, which went on to integrate and thrive in its new avatar across the globe. This gallery is made possible by the Embassy Group, one of India’s leading real estate developers, The Arts and Cultural Heritage Trust (TAACHT), which set up the Partition Museum, and The Sindhi Culture Foundation. The festivities were graced with a musical performance by Kaajal Chandiramani, famously known as the Nightingale of the Sindhi Community. Visitors are welcomed into The Lost Homeland of Sindh by a map of the River Indus, the heart of the Sindhi community, guiding them through vintage portals into a meticulously reconstructed Sindhi haveli. This space, built from the remnants of displaced heritage, showcases artifacts donated by former refugees. Ornate Shikarpuri carvings on Burma teak—door frames, railings, bannisters, and swings—evoke the architecture of ancestral Sindhi homes. The exhibition also highlights Ajrak, an ancient block-printing technique dating to the Indus Valley civilization, featured in a unique map of Sindh embroidered with mirrorwork. A hand-embroidered Sindhi Global Banking and Network Map traces historical trading routes by land and sea, created by Katchchii tribes. Windows to Sindh, a central feature, offers a 45-minute virtual journey through Sindh’s landscapes, religious sites, and historical landmarks, conceived by CAMP artists and vloggers from Sindh. The Freedom Fighters Panel, researched by Nandita Bhavnani and Saaz Aggarwal, showcases freedom fighters' contributions, accompanied by a video by renowned artist group, CAMP. Other notable displays include Reena Kallat’s poignant video inspired by Karachi’s 1932 directory, and archival footage of Sindh Pre-Partition. The exhibition delves into the Sindhi refugee narrative, with clips from Abana (1956), the first Sindhi-language film, capturing the refugees' spirit of resilience. A highlight is the Ulhasnagar Matrix, which portrays the journeys of Sindhi refugees post-Partition through LED profiles, electronics, and handwritten text, created by CAMP and collaborators. Immersive multi-media displays, video interviews, films, talks, poetry readings, and festivals aim to bring alive a vibrant culture that has held on to their identity despite the mass displacement. More than a repository of art and artefacts, The Lost Homeland of Sindh is a platform for dialogue and understanding. The gallery is located within the Partition Museum at the Dara Shukoh Library in old Delhi. Focussing on the national movement leading up to Independence and Partition, the mass migration of 20 million refugees, and the subsequent stories of survival and rehabilitation, each gallery in the Partition Museum features a collection of people’s oral histories, objects, and archival material. The museum was set up by TAACHT, led by the Founder and Chair, Kishwar Desai, under the Union Ministry of Tourism’s Adopt a Heritage scheme. The Partition Museums in Amritsar and Delhi are both people’s museums created through the generous support from the people to preserve this crucial part of India’s heritage. The gallery will open to the public on October 6th, 2024....


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Commissioned by WISCOMP (Women in Security, Conflict Management and Peace), Geeta Chandran and the Natya Vriksha Dance Collective presented "Our Voice", a powerful reimagining of women’s struggles through the language of dance theatre inspired by Bharatanatyam. This event marked WISCOMP’s 25th anniversary, celebrating its commitment to foregrounding women’s leadership in peace and security across South Asia. WISCOMP, an initiative of the "Foundation for Universal Responsibility of His Holiness the Dalai Lama", promotes dialogue, capacity-building and trauma healing across borders, fostering cultures of pluralism and coexistence in the region. Geeta Chandran said, “OUR VOICE has shaken me out of my comfort zone. The process of its evolution involved several sessions of speaking about the women's issues that we felt were critical to our times. War and the price women most pay was foremost. But also, the daily grind of finding meaningful spaces that allow women's agency was another. The script slowly evolved into movement workshopping. And through this fire has emerged OUR VOICE. Hope it will be heard...


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The Indiana University - Kelley School of Business is pleased to announce the winners of the recent MSIS AI in Business Case Competition hosted at IU India Gateway. The competition showcased the exceptional talent and innovative ideas of students from top institutions across India. Out of ten teams and hundreds of participants, the three Institutes that outshine everyone else as the winners of the competition are: - Shri Ram College of Commerce (SRCC) (Delhi University) - College of Engineering, Guindy (Anna University Chennai) - Amrut Mody School of Management (Ahmedabad University) The winning teams demonstrated a deep understanding of AI applications in business, coupled with their ability to develop creative and effective solutions. Their projects showcased the potential of AI to drive innovation and efficiency in various industries. “We are incredibly impressed by the quality of submissions received for this competition,” said Professor Bipin Prabhakar, Faculty Chairperson, Information Systems Graduate Programs, Kelley School of Business. “The winning teams have truly excelled in their application of AI to address real-world business challenges.  A huge shoutout to all the participants for your hard work and dedication and a hearty congratulations to our winners” The MSIS AI in Business Case Competition is part of the Kelley School of Business’ commitment to fostering innovation and preparing students for successful careers in the rapidly evolving field of information systems. The competition provides students with a unique opportunity to apply their knowledge and skills to real-world problems and gain valuable experience. Kelley School of Business also declared the priority application deadline for Round 2 as November 1. Students can save time and money on applying early through a simplified application process that requires fewer documents initially and has no application fee. Key Requirements: - No application fee - Undergraduates: Resume, scanned transcript, and student copies of test scores (GRE/GMAT, TOEFL) About the Kelley School of Business The Kelley School of Business is a leading business school at Indiana University, offering a comprehensive range of undergraduate, graduate, and executive education programs. Kelley is renowned for its academic excellence, innovative curriculum, and strong alumni network...